"Hoof Dust"

"Hoof Dust" 9x12 oil

I pushed my boundaries on this piece... in both color and subject. I wanted the painting to be simple and dramatic, so I kept most of the brushwork big and impressionistic. More about the relationships between warm dusty hues and the cool blues and violets in the shadows, the horse ended up being the perfect vehicle for this exploration.
I learned a lot on this one. It's on days like today I feel like I'm finally learning to paint :)

Becoming a Better Painter... well... at least trying!

It's kind of a weird thing... this insatiable desire to be a better painter. On one hand, it forces me to regularly step outside my normal artistic self and try new things. On the other, it can be almost self-distrucive by taking time away from production and I can spend weeks without ever producing anything suitable for sale. For me, the fear of failure is nearly paralysing! So working on things I'm not very good at is like pushing a big rock uphill. It's hard. I suppose there is a balance in there somewhere, though I have yet to find it.
So this week I'm up to my elbows in oil paint... something I'm not quite comfortable with, but slowly getting there. These small lanscape studies are mostly an attempt to learn about the paint and how it blends, mixes, and dries. Some are more successful than others, but all are part of the learning process (there's that word again... "process").
As I sit at the easel smearing paint from one end of my shirt to the other (occasionally getting some on the canvas), I often think about how I would define "better painter". Of course I'm the only one who can nail this down as it applies to my own work and I'm sure everyone has an opinion that differs to some degree from mine (maybe getting less paint on me and more on the canvas would be a good start). I used to think it meant learning to paint in a very realistic almost photographic style. I worked for years pushing my art that direction, but as I get older, my tastes are constantly changing. Now the goal is to say more with less. There is still a desire to capture some subjects in a hyper-realistic manner and I'm grateful to have learned these techniques (like accurate drawing!). There will be times when I need to lean on those skills. Still, I find my brushes are gradually getting bigger, my color choices a bit bolder, and I seem to be acquiring an ability to walk away from a painting before it's completely over-rendered. I'm not there yet, but that destination had been programmed into my artist's GPS and I'm on my way... even if I seem to be taking the long way.

Ten years ago, I could not have imagined painting in this style. It wasn't even on my radar. Ten years from now, who knows what I'll be doing... sculpting in bronze? I have no idea. It's a process (see?). It's always said that "it's more about the journey than the destination" and in the case of being an artist, it couldn't be more true. We always have a destination in mind, but things change... so enjoy the journey. It's almost never easy, but I wouldn't want it any other way.

"Emerald Reflection"

"Emerald Reflection" 8x6 acrylic

As I climb the trail of my career as an artist, I find it interesting to occasionally step back and assess my progress toward becoming a better painter. Of course the trail is not well marked and there are often wrong turns and dead ends, but every once in a while I stumble upon something that works.
My work is leaning a bit toward an impressionistic style while trying to maintain a certain level of believable realism. I certainly don't paint as "photographic" as I used to (check some of my blog posts from a few years ago) and I'm enjoying the additional freedom that comes along with smearing around larger blobs of paint. I'm not saying I'll be splashing paint on a 40x60 canvas with a 2" brush anytime soon, but I feel like this is real progress.
I've also noticed the paint on my finished work is much thicker than it used to be (this is quite evident when sanding down the high spots on a clunker that needs to be painted over!). This thicker paint is allowing my colors to be more juicy and vibrant. It also keeps me from using those tiny brushes I'm so used to!
I love painting small landscape studies like the one above. They allow me to try new things without having all the time and material of a large painting invested.
It's slow progress... but progress nonetheless.

"Abandoned Orchard"

Just finished a few minutes ago...

"Abandoned Orchard" 20x16 acrylic

 

"Goldenrod"

"Goldenrod" 10x8 acrylic

I knew when I started this painting what it would be a challenge. I'm really not used to painting in such an impressionistic style, but I'm very happy with the results!