The past few weeks have been filled with time spent drawing. Bison are such a cool subject for drawing. Their musculature makes for interesting shadow and highlight combinations.
Artist, naturalist, and outdoorsman, Jim Bortz, shares his thoughts and images as new works come off the easel.
Thursday, October 24, 2013
Monday, October 21, 2013
Sketchbook Pages
Thursday, October 17, 2013
"Pocket Water"
Saturday, October 12, 2013
Drawing.... AGAIN!!!!
"There is always time to draw, so stop making excuses and just do it!"
It seems I say that a lot these days. During the course of a 4-day show, I'll bet I get asked a dozen times by young artists what it would take for them to be a better painter. The answer is always straight forward and simple. DRAW!
But there are always excuses. "I don't like to draw." "I don't have time." "I only want to paint." Blah blah blah.
Drawing is the one skill seemingly forgotten among many up-and-coming artists. With the incorporation of digital photography and powerful (and very useful!) programs like Photoshop, drawing skills seem to be largely ignored. Instead of using photography and Photoshop to complement a solid concept derived from a sound creative process, they are used as a crutch or a shortcut to bypass the necessary skills needed to produce good art. That is a huge and very noticeable mistake.
Most people look, but do not truly see what's in front of them. Their perception is based on what they think they know about an object, rather than actual observation. The ability to block out this preconceived noise and learning to actually see is the most important part of creating representational art. Nothing can teach a person how to see better than constant and repetitive drawing exercise.
So... my young artist friends... buy a sketchbook. Hell! Buy 4 or 5 cheap ones! And start filling the pages with what you see. It's always interesting to look at the pages of a full and tattered sketchbook and see the progress from the first page to the last. It is at that point you will learn the importance of drawing. It is always a productive and enjoyable way to pass the time.
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| Yesterday's field study |
But there are always excuses. "I don't like to draw." "I don't have time." "I only want to paint." Blah blah blah.
Drawing is the one skill seemingly forgotten among many up-and-coming artists. With the incorporation of digital photography and powerful (and very useful!) programs like Photoshop, drawing skills seem to be largely ignored. Instead of using photography and Photoshop to complement a solid concept derived from a sound creative process, they are used as a crutch or a shortcut to bypass the necessary skills needed to produce good art. That is a huge and very noticeable mistake.![]() |
| A quick gesture study from a photo on the internet |
Most people look, but do not truly see what's in front of them. Their perception is based on what they think they know about an object, rather than actual observation. The ability to block out this preconceived noise and learning to actually see is the most important part of creating representational art. Nothing can teach a person how to see better than constant and repetitive drawing exercise.
So... my young artist friends... buy a sketchbook. Hell! Buy 4 or 5 cheap ones! And start filling the pages with what you see. It's always interesting to look at the pages of a full and tattered sketchbook and see the progress from the first page to the last. It is at that point you will learn the importance of drawing. It is always a productive and enjoyable way to pass the time.
Thursday, October 3, 2013
"Prelude to Autumn"
Tuesday, September 24, 2013
Plein Air Afternoon
I've been wanting to do more plein air work recently, so today I took the afternoon and set out to find a suitable location to paint. It didn't take long to find a good spot. With the leaves starting to change to their autumn colors, I parked the truck and lugged my easel to an overgrown field in Goddard State Park. The warm sun felt good as I set up my easel and a young deer wandered by as if curious about my intentions.
It's funny how quickly time passes while I paint outdoors. I try to work fast hoping to capture the essence of a scene before the light changes too drastically. Today, I finally noticed I was starting to get cold and the sun was dropping behind the trees to the west. I'd been there for nearly 2 hours at that point and wished I'd brought along the sweatshirt I left in the truck.
As you can see in this last photo, the light was significantly different than it was when I started the painting. Still, I managed to get it to where I could say "done".
I smiled as I hauled my gear back to the truck, happy with my effort. I'm looking forward to getting out there again soon!
It's funny how quickly time passes while I paint outdoors. I try to work fast hoping to capture the essence of a scene before the light changes too drastically. Today, I finally noticed I was starting to get cold and the sun was dropping behind the trees to the west. I'd been there for nearly 2 hours at that point and wished I'd brought along the sweatshirt I left in the truck.As you can see in this last photo, the light was significantly different than it was when I started the painting. Still, I managed to get it to where I could say "done".
I smiled as I hauled my gear back to the truck, happy with my effort. I'm looking forward to getting out there again soon!
Saturday, September 14, 2013
Problems to Solve
I've been working on a piece titled "Rock Star"
for several months and I can't seem to finish it to my satisfaction. It has
been one of those paintings that came together very quickly, only to land with
a thud at the end. It's spent a large part of the past 6 months leaning against
the wall facing the corner... being punished like a rotten child!
The bird... the most important element... has been the
sticking point. I've painted in several, only to paint them back out as though
they had perched for a second and flown away. I have gone back and forth
between a white-throated sparrow and a magnolia warbler... working many poses
and gestures... but they feel stiff and lifeless to me. They don't yet feel
like they belong in the painting and it frustrates the hell out of me!
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